Resting / Courtship
Proppositions 2015, with Another Space
Canal Wharf
Brussels
2015
Marbles. Silicon, pigments, 1 cm x 1 cm
50 marbles in total, where 49 have been produced with pigments from images found online. The remaining 1 marble was produced with photographic pigment from the last existing photograph of a person who has passed away.
S.N. Inkjet print, 100 cm x 70 cm. Left
Found black image. Altered by words from a confession.
B.K. Inkjet print 100 cm x 70 cm. Right
Found black image. Altered by words from a confession.
A code was developed to insert plain text inside the binary code of a digital image in this way creating a glitch.
The Object Is Just An Object. A4 paper, pigments, water, steel tray. 120 x 70 x 10 cm
Texts from found last written words of a person were erased and the resulting pigments mixed in water. A white A4 paper was immersed, slowly absorbing the substance. At the end of the exhibition, the paper is removed and becomes an independent work.
“People like the plants and the horizon with the sun”. Inkjet print, frame, 100 cm x 70 cm. Frame embedded in wall
A code was developed to insert plain text inside the binary code of a digital image in this way creating a glitch. An image of a detail of a waiting room was altered by inserting into its binary code text from ‘words that could not be said’. The framed print was then embedded into the wall.
Zero. Silicon, brass rod, string. 100 cm x 0.2 cm (rod), 1 cm x 1.6 cm x 0.1 cm (silicon)
Silicon cast of the negative space between two fingers.
Untitled. Video, 03 min 25 sec, still
There (paraphrasing). Various plastics, various pigments, various inks, various cellulose, various textiles, various metals
Five found personal objects of an unknown person were materially reversed and the resulting materials were re-informed as part of the architecture of a corner of the exhibition space. Taking in consideration that the building would be later demolished, by making the personal belongings become permanent part of the space the action wanted to function as an insertion into the process that follows the demolition of the building: the fragmentation of its materials and their open-ended insertment into new cycles.
Handrail. Chrome handrail, metal, 180 x 3.4 cm (diameter)
Resting / Courtship
Proppositions 2015, with Another Space
Canal Wharf
Brussels
2015
Marbles. Silicon, pigments, 1 cm x 1 cm
50 marbles in total, where 49 have been produced with pigments from images found online. The remaining 1 marble was produced with photographic pigment from the last existing photograph of a person who has passed away.
S.N. Inkjet print, 100 cm x 70 cm. Left
Found black image. Altered by words from a confession.
B.K. Inkjet print 100 cm x 70 cm. Right
Found black image. Altered by words from a confession.
A code was developed to insert plain text inside the binary code of a digital image in this way creating a glitch.
The Object Is Just An Object. A4 paper, pigments, water, steel tray. 120 x 70 x 10 cm
Texts from found last written words of a person were erased and the resulting pigments mixed in water. A white A4 paper was immersed, slowly absorbing the substance. At the end of the exhibition, the paper is removed and becomes an independent work.
“People like the plants and the horizon with the sun”. Inkjet print, frame, 100 cm x 70 cm. Frame embedded in wall
A code was developed to insert plain text inside the binary code of a digital image in this way creating a glitch. An image of a detail of a waiting room was altered by inserting into its binary code text from ‘words that could not be said’. The framed print was then embedded into the wall.
Zero. Silicon, brass rod, string. 100 cm x 0.2 cm (rod), 1 cm x 1.6 cm x 0.1 cm (silicon)
Silicon cast of the negative space between two fingers.
Untitled. Video, 03 min 25 sec, still
There (paraphrasing). Various plastics, various pigments, various inks, various cellulose, various textiles, various metals
Five found personal objects of an unknown person were materially reversed and the resulting materials were re-informed as part of the architecture of a corner of the exhibition space. Taking in consideration that the building would be later demolished, by making the personal belongings become permanent part of the space the action wanted to function as an insertion into the process that follows the demolition of the building: the fragmentation of its materials and their open-ended insertment into new cycles.
Handrail. Chrome handrail, metal, 180 x 3.4 cm (diameter)